ARTIST STATEMENT

The overarching discourse in my work utilizes the turbulence of colonialism as a premise to highlight parallels between that violent history and contemporary global conflicts. In today’s informational age global occurrences of violence now reach us by a click of a button: creating a network of virtual simulations of fear that are increasingly replacing sensations of calm. My work interprets in visual form the spectacle of information, knowledge and subjectivity. In addition, I investigate the evolution of postcolonial reconciliation expounded through imagery pertaining to multicultural societies dealing with the residual effects of colonialism. This residual effect of history compels me to address the dialog between personal and historical narratives.

BIO

Originally from Ghana, I studied painting at The Kwame Nkrumah University of Science and Technology, College of Art, where I earned a BA in Art (Painting and Drawing) and an MA in Art Education. I later received an MFA in Painting from Bowling Green State University. I moved to the United States in 1994 after a major solo exhibition of my works created in London were exhibited in Accra, Ghana at The Artists Alliance Gallery. Since moving to The United States, I have taught art at The University of Toledo (1997-2001), Bowling Green State University (1999-2000), The University of Oklahoma (2001-2006) and currently at SUNY at Buffalo (2006-present). My paintings, performances, and installations have been shown internationally in Germany, Portugal, England, Holland, China, Denmark, France, Nigeria, South Africa, and in Ghana.

CV

Education
           

2001

Master of Fine Arts, Painting,   Drawing Minor.

Bowling Green State University, Bowling Green, OH. USA.

     

1992

Master of Arts, Art Education.

Kwame Nkrumah University of Science and Technology, Kumasi, Ghana.

     

1990

 Postgraduate Diploma, Art   Education.

 Kwame Nkrumah University of Science and Technology, Kumasi, Ghana.

     

1989

Bachelor of Arts, Painting,   Drawing Minor.

Kwame Nkrumah University of Science and Technology, Kumasi, Ghana.

     

Solo Exhibitions / Performance Art

               

2013

Collisions, Skoto Gallery, NY, NY. Paintings and installation which reference war machinery, military uniforms with epaulettes, automobiles, colonial / historical references.

2012

Muffled Connections,   Performing Arts Forum, St Erme, France, Installation in a former C19th convent, now an art residency referenced the   emergence of dynamic communication social systems.
     

2011

Fragments,   Buffalo Arts Studio Gallery, Buffalo, NY, USA. Paintings exhibited explore   the contingence between violence and reconciliation. Curator: Cori Wolf.
     

2010

Urban   Overtures, Artists Alliance Gallery, Accra, Ghana. Paintings exhibited   contemplate the stridence of urbanization through the use of metropolitan   iconography. Curator: Theo Adete.
 

Layers, Skoto Gallery, NYC, NY, USA. Paintings with collage elements   combining images from disparate sources in order to address the use of   violence by humans to solve geo-political conflicts. Curator: Skoto Aghahowa.

     

2009

George Afedzi Hughes, Atrium im Bockreiterzentrum,   Herzogenrath, Germany. Paintings exhibited referenced power relations and the   implied violence within such relations. Curator: Jutta and Joachim Melchers.
 

Signs & Symbols Collision, The Central University of   Nationalities, Beijing, China. The paintings combined imagery from street   signs and sociopolitical symbols. Curator: Yao Junjie.

 

On Guns Redcoats and Everything Else, Influx   Contemporary Art Gallery, Lisbon, Portugal. Paintings referenced the violence   of colonial history, drawing parallels between that history and contemporary   global conflicts. Curator: Nuno Salgueiro-Lobo.

     

2007

Performance Art:
What you   perceive is what you conceive II, Queens   University, Belfast, N. Ireland. A performance probing the significance of   the irrational in relation to myths that govern our belief systems. Curator:   Maruska Svasek.

 

     

2006

Paintings, Mainsite Gallery, Norman, OK,   USA. The exhibition was in three parts: achromatic paintings exploring   procreation, 3D assemblages addressing the plunder of gold resources by   colonial regimes and mixed media paintings as a discourse of mortality.   Curator: Christian Pitt.
 

Social Predation, Hallwalls Contemporary Arts Center, Buffalo, NY, USA. Exhibited   paintings depicting notions of power relationships and the implied violence   within these relationships. Curator: John Massier.

 

George Hughes:   Retrospective Exhibition, Mabee Gerrer Museum of   Art, Shawnee, OK, USA. A decade’s (1996-2006) overview of paintings and   assemblages. Curator: Jeff Cooper.

 

Performance Art:

 Rights of Passage, Myers Gallery, Living Arts of Tulsa, OK, USA. Paintings explored   the human condition in its mockery of contradictions, stereotypes and errors.   Curator: Steve Liggett.

Culture,   Identity and Beyond, Humboldt University, Berlin, Germany. Performance art   synthesizing painting, sound, music, poetry and video. Curator: Anna Jager.

 

     

2005

     

Metaphysics, Carter Arts Center Gallery, Kansas City, MO, USA. Exhibited   paintings that investigate the nuance of sensation such as doubt, discomfort   and despair in our lives. Curator: Bernadette Torres.

 

Chronic  Dreams, Park-Art Gallery, NYC, NY, USA. Exhibition of paintings with   imagery reminiscent of colonial history. Curator: Ken Croken.

 

Skin and  Essence, Myers Gallery, Living Arts of Tulsa, OK, USA. Paintings explored   the human condition in its mockery of contradictions, stereotypes and errors.   Curator: Steve Liggett.

 

Performance Art:

Dead Man Series, 435 Park Avenue, NY, NY, USA. Performance art in which I played   dead on the side of the street, eavesdropping on pedestrian vocal response.

 

2003

     

Cosmopolitan, Artists Alliance Gallery, Accra,   Ghana. Paintings exhibited captured the subtleties within multicultural   environments experienced over ten years of living abroad. Curator Ablade   Glover.

     

2002

     

Symbols  and Metaphors, Mainsite Gallery, Norman, OK,   USA. Paintings exhibited drew parallels between the structural qualities of   robots, machines and African sculpture. Curator: Tom Torperzer.

     

2001

     

Lineage, Livingstone Gallery, The Hague, The Netherlands. Works on paper   (blueprints and vellum) exploring human ancestry. Curator: Jeroen Dijkstra.

     

2000

     

Von Ghana nach Amerika (From Ghana to America), Galerie   Xenios, Frankfurt, Germany. Paintings and collages exploring contemporary   urban life using traditional African sculptural proportions.

 

Contemporary  Urban Life, 20 North Gallery, Toledo, OH, USA. Paintings exhibited morphed   urban iconography with traditional African sculptures. Curator: Peggy Grant.

     

Group Exhibitions / Performance Art

2014

Futbol, The Beautiful Game, Los Angeles County Museum of Art. The exhibition examines the significance of football in societies around the world.

2013 

West to West, Städtische Galerie, Bremen, Germany. Artists invited by Owusu Ankomah for the show are Godfried Donkor, Afedzi Hughes, Atta Kwami, Wemega Kwawu, El Loko, Sokari Douglas Camp, Lawson Oyekan and Romuald Hazoume

2012

Aus Afrika, Galerie Frank Schlag &  Cie, Essen, Germany. Paintings, sculptures and photographs by the following artists: Tété Azankpo, Frédéric Bruly Bouabré, Saidou Dicko, Godfried Donkor, Sokari Douglas Camp CBE, Romuald Hazoumè, George Afedzi Hughes, Toyin Loye, Owusu-Ankomah, Chéri Samba, Manuela Sambo, Rikki Wemega-Kwawu and Zinkpé.

Moving Into Space: Football and Art   in West Africa, National Football Museum, Manchester,   England. Contemporary   West African artists whose art is inspired by football to explore wider   social issues.Curator:   Martin Barlow.

     

2011

     

Buffalo on the Bowery, Charles   Bank Gallery, New York, NY. Sixty-eight artists with local ties donated work to the auction,   including Rupp, Gregory Halpern, Amanda Besl, A. J. Fries, Megan Greene, Amy   Greenan, George Afedzi Hughes, Julian Montague, Reed Anderson, and Jacob   Kassay

   

Art Lisboa,   Parque das Nações, Lisbon, Portugal.  Brought together a selection of forty   national and international contemporary and modern art galleries, as well as   journals and specialized publications.Curator: Ivânia de Mendonça Gallo.

   

Just One, Artco   Gallery, Herzogenrath, Germany. Fifty-three artists exhibited one work each   of drawings, paintings, sculptures, installations and photographs. Curator: Joachim Melchers.

   

Les Fantomes, Jack   Bell Gallery, London, England. Featuring painting, photography and sculpture.   Curator: Jack Bell.

   

South is the new North, Influx   Contemporary Gallery, Lisbon, Portugal. Group show featuring painting,   sculpture, photography and video. Curator: Nuno   Salgueiro-Lobo.

       

2010

     

Arte   Lisboa, Pavilhao do Rio of the Lisbon Congress   Center, Lisbon, Portugal. Art fair with forty-one national and international   contemporary and modern art galleries. Curator: Ivânia de Mendonça Gallo.

 

Spirit Tangents, Haliburton Forest Project, Haliburton, Ontario,   Canada. Installation conceived as homage to dead trees. Curator: Reinhard   Reitzenstein.

 

100@100:   Works of Art by Alumni artists to celebrate BGSU’s Centennial, Bowling   Green State University, OH, USA. Twenty-five   works by outstanding alumni representing the School’s proudest   accomplishments. Curator: Jacqui Nathan.

 

In &   Out of Africa, Henn Art, Galeries Maastricht, Maastricht, The Netherlands.   Exhibition of thirteen artists originally from Africa working both abroad and   in Africa exploring varied artistic styles. Curators: Gerry Belinc, Oliver   Henn and Joachim Melchers.

 

Africa   2.0: Is there a Contemporary African Art?, Influx Contemporary Gallery,   Lisbon, Portugal. Contemporary work from African artists of the Diaspora.   Curator: Nuno Salgueiro-Lobo.

 

Performance Art:

 

Rites of   Blue Impediment, Haverford College, Black Box Theater, Haverford, PA, USA. A   three-day residency organized by Ruti Talmor, Haverford professor and Mellon   Postdoctoral Fellow. The performance used ritual, sound, ornate props and   supporting cast to address subtle methods used by predominant cultural groups   to impede the progression of sub-cultural groups.

     

2009

     

Nsoroma, The Dei Center, Accra, Ghana.   Exhibition organized by the Dei Centre in memory of the late Professor Joe   Nkrumah. Curator: Lyle Ashton.

 

Homecoming   Exhibition, Artists Alliance Gallery, Accra, Ghana. Invitational group   exhibition organized for seven leading Ghanaian expatriate artists practicing   abroad. Curators: Kojo Fosu and Ablade Glover.

 

It’s   Never Too Late To Become a Man, Coningsby Gallery, London,   England. Works of artists across the Continent of Africa. Curator: Joe   Pollitt.

 

Joburg   Art Fair, Sandton Convention Center, Johannesburg, South Africa.   Art Fair with international galleries representing African artists.   Represented by Artco Gallery.

 

Figure   and Form: Explorations of Humanity, M. Rockefeller   Arts Center, SUNY at Fredonia, Fredonia, NY, USA. Exhibition offered a range   of perspectives on the human condition using the human figure as subject   matter. Curator: Tina Hastings.

     

2008

     

The St.   James’s Auction, Rosebury, La Galleria Pall Mall, London, England. Paintings   explored inner-city violence through the use of collage, signs, symbols, text   and mixed media. Curator: Marcus Grey.

 

Dialog, Artco Galerie, Herzogenrath,   Germany. An exhibition of works by artists of African and European descent exploring   stylistic contrast. Curator: Joachim Melchers.

 

Performance Art:

 

Shrines   & Masquerades Live: Indifferentia, Commons Gallery, NYU Steinhardt, NYC, NY, USA. Performance art   inspired by the African traditions of shrines and masquerades as well as the negotiation   of identity in cosmopolitan America.

 

Monsters of Nature & Design II, Albright Knox Gallery, Buffalo, NY. Performance played on the format of a   ritual sacrifice in tribal societies with undercurrent themes of colonialism,   globalism, transformation, and transcendence. Collaborators: Gary Nickard,   Reinhard Reitzenstein, Cartherine Carfagna, Biff Henrich, Scott Ryan, Dave   Meinzer, Brian Grunert, Patrick Heyden, Thom Furtado, Daughters of Creative   Sound, David A. Moore, Dave Gutierrez, and Jeanette Sperhac

 

Race Symbiosis, intervened Nuit Blanche, Toronto, Canada. A performance that   uses humor to present 'race' in the light of appearances, and that racial   interdependence have often been overshadowed by the dialogue on racial   differences. Collaboration with Geoff Krawczyk.

 

Sum-phusis, Black Box Theater, SUNY at   Buffalo, NY, USA. Address allegorically the seemingly random effects of   natural disasters contrasted with events initiated by human beings.   Collaboration with UB Assistant Professor Melanie Aceto, Dance & Theater.

       

2007

     

Art Fair   21, Cologne Gladbacher Wall 5, Cologne, Germany. 58 distinguished galleries   from 10 countries presented a diverse range of 21st century art. Work   exhibited: Gold Coast, a painting   that chronicles the colonial history of Ghana.

 

In and   Out of Africa, Museum for Art and Ethnography, Schwaz, Austria. An overview   exhibition of four contemporary artists: Sokari Douglas Camp   (Nigeria/England), Zinpe (Benin/France), George Hughes (Ghana/USA) and Owusu   Ankomah (Ghana/Germany).

     

2006

     

Diagne   Chanel / George Hughes, (dubbed France meets United States), Artco Gallery, Herzogenrath, Germany. Paintings and drawings   exhibited contrasted Diagne Chanel’s (Senegal/France) sociopolitical works   with mine (Ghana/USA). Prof. Dr. Wolfgang Becker, former Director of the   Ludwig Forum in Aachen, opened the exhibition.

 

New   Paintings, Mainsite Contemporary Gallery, Norman, OK, USA. Exhibited works   included new mixed media paintings. Curator: Christian Pitt.

     

2005

     

Multiple   Oneness, Park-Art Gallery, New York, NY,   USA. Group show celebrating stylistic diversity among artists previously   shown at the gallery. Curator: Ken Croken.

 

Performance Art:

 

Rights   of Passage, Myers Gallery, Living Arts of Tulsa, OK, USA. The performance   explored the limitations of a boxed-in culture revealed through puppetry,   manipulation, mimicry and ritual. Curator: Steve Liggett.

       

2004

     

Art, Fred Jones Museum of Art, Norman,   OK, USA. Faculty members of The University of Oklahoma Group show. Presented   an installation/performance entitled Ego   Transformation/Genome Revelation. Curator: Dr. Andrew Phelan.

 

Transition, Artists Alliance Gallery, Accra   Ghana/ LO/FTF, Copenhagen, Denmark. Traveling exhibition of twelve   contemporary artists of Ghana whose work serves as a medium to facilitate visions   about the future.

     

2002

     

Third   National Juried Competition, Long Beach Island Foundation of Arts and Sciences, Loveladies,   NJ, USA. Juried exhibition of forty-four professional artists. Juror: Maria   Christian Vallasenor, Associate Curator, Guggenheim Museum, NY, USA.

     

2001

     

De Kleur   Van De Liefde is Blauw (The Color of Love is   Blue), The Old Flora Theater, The Hague, The Netherlands. The   exhibition sought to promote multicultural activities. An exhibition opened   by the Ambassador of Ghana, H. E. Mrs. Grace Amponsah-Ababio and the Mayor of   the Hague, Mr. W. Deetman.

 

The   Vibrant Art of Ghana, Gemeente Museum, The Hague, The Netherlands. To mark the third   centenary of ties between the Netherlands and present-day Ghana, the Gemeente   museum launched an exhibition of Ghanaian art. Three artists Philip Kwame   Apagya, Francis Provençal and George Hughes represented contemporary Ghanaian   art. Curator: Franz Kaiser.

 

Menschenbilder   (People Pictures), Society for   Technical Cooperation, Eschborn, Germany. Six artists from partner countries   Mexico, Bangladesh, Poland, Ghana, Indonesia and Nigeria show GTZ (Society   for Technical Cooperation) estimation, personal views and visions on man.

 

U vraagt   ..Wij draaien?!? (You ask….We twist), Artoteek Zuidoost, Amsterdam, The Netherlands. International   group of artist, exhibition juried by Totie Cronin, Sietse van der Hoek, Remy   Jungeraman, John Menke, Karin Moor and Mildred Rambhajan.

     

1998

                   

Painted   Gold (Goudkust Geschilderd), Art Museum voor Zuid, Goes, The   Netherlands. Kwame Akoto and George Hughes exhibited paintings representing   works of two Ghanaian artists. 

 

Exposite   Kuana, Cirkel Galerie, Amsterdam, The   Netherlands. An exhibition on contemporary Ghanaian art with the works of the   following artists: Wiz Kudowor, Amon Kotei, George Hughes, Ablade Glover, E.   Krotei Tetteh, Rikki Wemega Kwamu, Tafa Fiadzigbe, Victor Odoi.

 

Zeitgenossische   Kunst aus Ghana (Contemporary Art from Ghana), Galerie Xenios, Frankfurt, Germany. Contemporary art from Ghana   showing the diversity of styles by participating artists. Curator: Petra de   Jung.  

 

New   Music and Art, Dorothy Uber Bryan Gallery,   Bowling Green, OH, USA. Invitational compendium of documentary photographs,   paintings, videos and art vehicles manifested through radically embellished   and augmented automobiles. Curator: Jacqueline Nathan. 

 

Toledo   Area 78th Annual Exhibition, Toledo Museum of Art, Toledo, OH,   USA. Juried annual area artists’ exhibition. Work exhibited: Current Affairs, painting triptych   addressing political turbulence.

 

Hedendaagse   Schilderkunst uit Ghana (Contemporary Painting from   Ghana), Maison Descartes, Amsterdam, The Netherlands.  Ten leading Ghanaian artists both home and   abroad exhibited their most recent works. Curator: Petra de Jung.

                       

Residencies

 

           

2010

     

Artist   in Residence, Haliburton Forest Art Project,   Haliburton ON, Canada. Created an installation Spirit Tangents from materials found on site. Curator: Reinhard   Reitzenstein.

 

Artist   in Residence, topic: ‘Look Both Ways,’ Haverford College, Haverford,   PA, USA. Curated by Ruti Talmor, Professor and Mellon Postdoctoral Fellow,   Haverford College, PA, USA. Performance and slide lecture.

     

2007

     

Artist   in Residence, topic: ‘Culture, Assimilation and Rejection,’ Queens   University, organized by Dr. Maruska Svasek, School of History and   Anthropology, Belfast, North Ireland. Art performance and lecture.

     

2006

     

Artist   in Residence, topic: ‘Culture, Identity and   Beyond,’ Invited by Prof. Dr. Susanne Gehrmann, Anna Jager, Sylvia Fiegert,   Humboldt University, Department of Asian and African Studies, Berlin,   Germany. Painting, performance art, and slide lecture.

     

Invited Lectures

           

2010

       

Guest Speaker, Slide Lecture, Dei Foundation   for Contemporary African Art, Accra, Ghana.

 

Artist Talk, slide lecture.

   

Visiting Artist, Takoradi Polytechnic, Painting and   Sculpture Department. Takoradi, Ghana. Lecture topic:

 

“Contemporary   Art Trends: Lesson for Future African Artists”.

     

2009

     

Visiting   Artist, Speakers Series, SUNY Fredonia, Fredonia, NY, USA.  Lectured on my creative research overview   addressing the relationship between painting and performance art.

     

2007

     

Visiting   Artist, topic: ‘Journey Through Cultures’, Chelsea College of   Art and Design, Chelsea, London, England.

     

2005

     

Visiting   Assistant Professor, Bowling Green State University,   OH, USA. Slide lecture, critiques and painting demonstration.

     

2004

     

Visiting   Artist and Instructor, Quartz Mountain, Lone Wolf, OK,   USA. Two weeks workshop created for the benefit of High school art   instructors.

     

2002 & 2003

     

Visiting   Artist and Instructor, Quartz Mountain, Lone Wolf, OK,   USA.  Two weeks as painting Instructor   for 20 exceptional high school students in the State of Oklahoma.

     

2000

     

Visiting   Artist, Elmhurst Elementary School, Toledo, OH, USA. Workshop   for elementary students.

     

1999

     

Visiting   Artist, Athena Art Society, Toledo, OH, USA. Slide Lecture on   drawings and paintings.

     

1998

     

Artists   Talk “New Music And Art Festival”. Open Forum at Toledo Museum   of Art. Panel discussion on art and music with composer John Williams,   sculptor David Best and painter. Organized and curated by Jacqui Nathan.

     

1998

     

Visiting   Artist, Bowling Green State University, Bowling Green, OH, USA.   Painting demonstration, critique and slide lecture.

     

 Bibliography

           

2010

     

Books:

 

Helmut, Anheier, and Yudhishthir Raj Isar. Cultural   Expression, Creativity & Innovation, Thousand Oaks, Sage Publications   Ltd, 2010 Pgs   62-77.

 

Reviews:

 

Holland, Cotter. “George Afedzi Hughes: Layers“ New   York Times 5/18/10.

 

Pigg, Susan. “The Forest Beyond The Trees” The Star.com   8/13/10.

 

http://www.thestar.com/printarticle/846587

 

Catalogs:

 

Layers solo exhibition catalog with text by Dr. Stefan Eisenhofer   (of Staatliches Museum) at Skoto Gallery, Chelsea, NY. 2010.

 

Urban Overtures solo exhibition catalog with text written by Dr. Nii   Bonney Andrews at Artists Alliance Gallery, Accra 2010.

     

2009

     

Books:

 

Jegede,   dele. “Painter, Performing Artist, Poet.” Encyclopaedia of African   American Art, Westport, Greenwood Publishing Group, 2009 Pgs 109-112.

 

Catalogs:

 

Fosu,   Kojo. “George Hughes”, Homecoming, Accra, Type Company Limited, 2009, Pgs   64-74.

     

2008

     

Catalogs:

 

Sumphusis performance art catalog with text written by me, UB Black   Box Theater, Buffalo, 2008

 

Grey, Marcus. The St James’s Auction, Fine Arts &   Sculpture, Rosebury’s, 2008, Pg 122

       

2007

     

Books:

 

Svasek,   Maruska. Anthropology, Art and Cultural Production, “Artists on the   move: George O. Hughes”, London, Pluto Press, 2007: Pgs116-121.

 

Catalogs:

 

Gehlen, Walter, and Andreas Lohaus Art Fair 21,   2007: Pgs 5 and 26.

       

2006

     

Reviews:

 

Chao,   Albert. “Overlapping Spaces” Art Voice.12/7-13/06: Pg 21.
  Bradenburg, John. “Mixed-media exhibit evokes energy, power” The Oklahoman   5/19/06: Pg 17D.

     

2005

     

Reviews:

 

Bravenman,   Rebecca. “George Hughes makes a red contention” The Pitch 12/9/2005:   Pg 21
  Watts Jr., James D. Tulsa World 5/5/2005.
  Martin, Charles. “529 Group Show” Pop 7/1/2005: Pg 13.

 

Bradenburg,   John. “529 group exhibits works in Norman” The Oklahoman 6/17/05: Pg   19D

     

2004

     

Reviews:

 

McBee,   Josh. The Norman Transcript 11/28/04: Pg E7.

     

2002

     

Reviews:

 

Siegal, Evon. “Artist shows depth in work” The Norman   Oklahoman 3/7/02 Pg 1

 

Torperzer,   Tom. “George Hughes” Galleries magazine Fall Edition 2002. Pg 10
  Krug, Christopher. The Oklahoman Daily 9/10/02 Pg 11.
  Brandenburg, John. The Daily Oklahoman 9/20/02.
  Toperzer, Tom. “George Hughes: Recent Work” Norman Living magazine   9/02. Pg 65 – 67.
  Torperzer, Tom. “Mainsite showing Symbols and Metaphors” Pop 9/6/2002   Pg 6.

 

Kaiser,   Franz. “Talking to Painter George Hughes” Gemeente Museum Paper # 3   9/29/2001-1/6/2002 Pgs 1-3.

       

Radio Interviews

           

2010

     

Radio   Channel: report RFI, Radio France International (February). 2010

     

2005

     

KCUR   News, Kansas City, interviewed   by Maria Carter. 2005

     

1992

     

BBC George Hughes Interview, interviewed by James Sasse   (July). 1992

   

BBC World Service for Africa; Spice Taxi, interviewed by   Silvia Smith (July). 1992

     

Video/TV  

 

Coverage

           

2010

     

“Artes e Espectáculos” cultural magazine, TV channel: RTP   Africa (April). 2010

 

“Latitudes” cultural magazine TV channels: RTP Africa   (February). 2010

 

“Nós” cultural magazine dedicated to multiculturalism TV   channel: RTP 2 (February).

     

2006

     

Tennant,   Carolyn, “Artgrease” Hallwalls Contemporary Arts Center, Buffalo 2006.

     

2001

     

Ross,   Doran, “George Hughes” Interview, Fowler Museum, Los Angeles, 2001.

     

Gallery   Representation

     

2008   - present

     

Influx   Contemporary Gallery, Lisbon, Portugal.

     

2005   - present

     

Artco   Kunstagentur GmbH, Herzogenrath, Germany.

     

2002   - 2006

     

Mainsite   Art Gallery, Norman, OK, USA.

     

1999   - 2001

     

20   North Gallery, Toledo, OH, USA.

     

1997   - 2001

     

Frontier   Art, The Hague, The Netherlands.

     

1994   - present

     

Artists   Alliance Gallery, Accra, Ghana.